directed Reykjavík, Hampstead Theatre
★★★★ (The Telegraph)★★★★ (The Standard)★★★★ (Time Out)
★★★★ (Financial Times)★★★★ (Daily Mirror) ★★★★ (Daily Mail )
directed Love’s Labour’s Lost, Royal Shakespeare Company
“ a brilliant start to a new era at the RSC” (WhatsOnStage)
“pitch-perfect” (Guardian)
“ attentive to the language without being daunted by it” (Telegraph)
★★★★★ (WhatsOnStage) ★★★★ (Guardian) ★★★★ (Telegraph)
★★★★ (Times) ★★★★ (FT) ★★★★ (The i) ★★★★ (The Stage)
directed Dear Octopus, National Theatre
“it needs a tip-top, fastidious, perfectly pitched production and, with director Emily Burns at the National, this is precisely what it gets” (Observer)
“Emily Burns’s beautifully sensitive revival is poignant, exquisitely performed theatre” (Telegraph)
“Emily Burns’ direction of Dear Octopus at the National Theatre is immaculate.” (The Stage)
★★★★ (Observer) ★★★★ (Guardian) ★★★★ (Independent)
★★★★ (Stage)★★★★ (Telegraph) ★★★★ (Financial Times)
directed Jack Absolute, National Theatre
“the giddiest night of theatre you’ll have all summer” (Independent)
“perfectly paced, ideally calibrated production” (Variety)
“an enormously loveable show” (Sunday Times)
★★★★★ (Daily Mail) ★★★★★ (Sunday Times) ★★★★★ (Independet)
★★★★ (Times) ★★★★ (WhatsOnStage) ★★★★ (The Standard)
adapted Romeo and Juliet, National Theatre/Sky Arts/PBS
“Audacious and fleet-footed” (The Times)
“a hybrid wonder and full of intelligent invention” (Guardian)
“Half as long and twice as good” (New York Times)
★★★★★ (Guardian) ★★★★★ (Telegraph) ★★★★★ (New York Times)
★★★★ (Evening Standard) ★★★★ (The i)
directed The Comeback, Noël Coward Theatre